Posts Tagged ‘ Vaani Kapoor ’

Befikre

befikre-poster

Befikre
Release date: December 9, 2016
Directed by: Aditya Chopra
Cast: Ranveer Singh, Vaani Kapoor, Akarsh Khurana, Ayesha Raza, Armaan Ralhan

Yashraj’s common tropes of using a European destination for chastising the underlying, now sexual, then romantic, experiments of the Indian protagonists; invoking elaborately choreographed dance-offs to ease out tensions in love stories, or making the lovers acknowledge their actual sentiments for each other; and clinging on to straws of traditionalism, while reaching out to the new, morally and culturally progressive; they all find a place in Befikre. In the middle of these cliff notes, there is some humor, much anguish, and an underhanded indie rom-com like “carefree” approach to deliver a film without a hokey antagonist.

The film opens with the much-talked Labon Ka Kaarobaar where innumerable hetero couples kiss, there’s diversity in the kissers’ colors, shapes, and sizes, but not in sexual orientations. Every thing is picture-perfect straight, and then Dharam (Ranveer Singh) lands in Paris, and his flatmates are two very attractive gay women. Dharam being the virile, sex-crazed lad, vividly imagines himself in a threesome with them, winking at the viewers and himself. Could this point to a desi-retelling of a forgotten American Pie sequel, or perhaps something more real that actually turns out an intriguing character study? Sadly, neither.

He gets out to ‘party’ on his first day itself. Even with his well-formed biceps, tailored denims that grip his butt perfectly, and a healthy hairline, he faces rejection. This scene was empowering to watch in particular. More like a soothing Aditya Chopra petting our heads in wistful consolation. Springs in Shyra (Vaani Kapoor), the local, who knows the bars and the city in-and-out. They hook-up over a “dare”, a plot device that’s conveniently brought up again and again to help the protagonists in making bad decisions and some memories for their characters.

Gradually, they decide to live-in together, and mutually pledge that they won’t become the conservative husband and wife, nor do things that conventional lovers do. It is this oath that keeps resurfacing whenever they are consumed with the thought of confronting their feelings for the other. It’s frustrating to watch them see past versions of their younger selves, popping up with a song and dance in French, and yet, commendable, at the commitment to the tomfoolery and the showmanship. If this film had fifteen more minutes of ditty-dancing, it’d qualify as a full-blown musical.

For the lack of any real friends, Dharam and Shyra confide in his professional, cough boring cough, comedy routine and her aloo paraanthe. There’s the usual aggrandizement of grandeur in the way of beach vacations, holiday sea cruises, cosmetic perfection, except for the little black bush of hair in Ranveer Singh’s armpits, leaving hardly any scope for any frame to appear slightly sad, or even melancholic. But can we really blame them for this plastic manufacturing?

Aditya Chopra serves us what he thinks we would like to dish up, at the fag end of the year, in the throes of soft kisses and extremely mellifluous music, a film that is not particularly hollow, just like the millennials that are his target audience and the film’s primary characters. If it weren’t for their superhuman dancing finesse, the baffling excesses, and that mess of a Priyadarshan film-like climax sequence, Befikre could have passed off as a decently watchable experience. A balance that Imtiaz Ali has mastered, Aditya Chopra flounders with this time around.

My rating: ** (2 out of 5)

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Shuddh Desi Romance

Shuddh_Desi_Romance_poster
Shuddh Desi Romance
Release date: September 6, 2013
Directed by: Maneesh Sharma
Cast: Sushant Singh Rajput, Parineeti Chopra, Vaani Kapoor, Rishi Kapoor, Rajesh Sharma, Tarun Vyas

Romantic liaisons are as much a part of the Indian youth’s ordinary lives as much as the internet or mobile phones. Or the lack of public bathrooms all over India. Hey mom & dad, no, I’m not a part of that youth. Also, this same public denial of being in a relationship with someone, is rooted to a conscious mentality which makes us look down upon couples just holding hands or even sitting next to each other.

And there are few, who aren’t shy of the stares and glares, they are just scared of being restricted to just one person for the rest of their lives; or the ones who don’t deem the wedlock to be the be all and end all. You could fit into in any of the above categories, I know I do. To go slightly overboard, the same Indian women who dote on Barney Stinson/Charlie Harper’s flirtatious television persona, have very contradicting double standards in actuality.

Shuddh Desi Romance puts some of the above apprehensions in a tier-2 city (Jaipur) setting with its characters desperately trying to break out of their cultural and traditional limits. Raghuram (Sushant Singh Rajput) is running away from a lot of things: his name, his relationship status, and a fixed job. Gayatri (Parineeti Chopra) is independent, speaks out her mind and has trust issues. Tara (Vaani Kapoor) has compromised on her ambitions to get “settled” into a familial discourse.

The three protagonists here depict common dilemmas faced by a major chunk of youngsters all over. It is the same emphasis on the title characters more than the plot that creates interesting dynamics in the otherwise overused love triangle format. Both Raghuram and Gayatri work with Goyal (Rishi Kapoor) and pose as guests at lavish weddings. Thus focusing on the inherent hollowness of grand Indian weddings.

As the emotional conflicts are takeoffs from our ordinary circumstances and so are the lines, Gayatri’s simple “Kya hai?”, Raghuram’s flirtatious “I don’t mind.” and Tara’s relieving “Ek thanda dena” prove to be gems in a situational context. The three have their own defense mechanisms, their own comfort zones and their own vulnerabilities.

SDR doesn’t thrive on being preachy in its conclusion, unlike its promotional posters. Perhaps the film lags in the second half in comparison to the first, but the charm and wit never runs out. Even when an incident of unfaithfulness is encountered, they simply talk it out in a closed room.

There aren’t much stock roles, and that works to the strength of the film. Chopra stands out amongst the lot in her performance, her composure, her grit are both captivating. Rajput is disarming and yet naive at the right moments. The two Kapoors (Not biologically or lawfully related to each other. Yet.) are good foils to the dominating presence of Rajput and Chopra.

More importantly, will Shuddh Desi Romance, with all its favoritism towards live-in relationships, cast a spell on your commitment-obsessed girlfriend or your parents who are insisting you to get married? It may. Or it may not. And that is the whole point here, the makers gradually shift the spotlight from the characters to a basic storyline at the end. It becomes about how two like-minded commitment phobics can mutually coexist.

For me, SDR is an extremely likeable film with a balance of realism and introspection. Extra points for the fresh music score.

My rating: ***1/2 (3.5 out of 5)

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