Posts Tagged ‘ Jesse Eisenberg ’

Batman v Superman: Dawn of Justice

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Batman v Superman: Dawn of Justice
Release date: March 25, 2016
Directed by: Zack Snyder
Cast: Henry Cavill, Ben Affleck, Amy Adams, Jesse Eisenberg, Diane Lane, Gal Gadot, Holly Hunter, Laurence Fishburne, Jeremy Irons

Zack Snyder’s Man of Steel was a largely uninteresting, yet informative ‘origins’ story of Superman. It didn’t have any references to the rest of the DC universe and justifiably so; why would you throw in more characters when you already have the entire Kryptonian first family to play with. Again, it wasn’t a very enjoyable film to digest, but you and I, we all gulped it down and washed it with a little smoothie called “the future may be better because Superman and Batman are coming together in the next film”.

Now that the smoothie is the real meal, you can’t pin your hopes on another new smoothie. You just can’t keep fooling yourself anymore.

Dawn of Justice begins with visuals from the traumatic childhood of Bruce Wayne/Batman (Ben Affleck) and then interlaces them with shots from the climax of Man of Steel, where Superman is still fighting Zod, and god knows for what reason, Wayne is in Metropolis and not in Gotham. He witnesses the destruction caused by the Kryptonians’ battle, and surmises that Superman is far from a savior, a powerful god who will destroy anything that he touches.

The neurotic Lex Luthor believes in the same predilection and becomes obsessed with the downfall of Superman. The known shortcomings of Batman against the brute strength of Superman are accentuated in Wayne’s efforts to bring him down. Meanwhile, Luthor tries to paint the blue-and-red caped-crusader as an enemy of the state. Wayne’s plans are more private, typical of Batman’s vigilantism, except his butler Alfred (Jeremy Irons) is only too young; atypical to the earlier Alfreds. Perhaps this one was employed much later than the earlier ones.

Will Luthor succeed in fulfilling his agenda? Will Batman defeat Superman? Will the film be (at least) coherent throughout? I won’t answer the first two questions, for obvious reasons. But the answer to the third question, shockingly, is in the negative. Batman has excessive ‘visions’ of the past and the future, then he has these constant dreams/nightmares which often feel completely hacky. Just how Spiderman (sorry for mentioning a Marvel character in a DC film review) has Spidey Sense, where he can use it to feel out the incoming dangers and bad guys, this Superman only has Girlfriend Sense.

By Girlfriend Sense, he reaches wherever his girlfriend Lois Lane (Amy Adams) is in danger. Be it in a separate country altogether, or in the building nearby. But he requires TV news to get to a place where there’s a fire or any distress. He shows he only has the brawn and no brains when there’s something so horribly off about the entire room in a particular sequence that even a fly on the wall can sense it and he doesn’t. Superman only has a Girlfriend Sense.

Lex Luthor and Bruce Wayne may be gunning to put an end to Superman, but as a member of the audience, I wanted something similar too. Superman is never made to look like a hero who deserves any of your love. For that matter, the same goes for Batman. There’s not much of a reason for you to hate him, nor even like him. And in such circumstances, arrives a Wonder Woman (Gal Gadot), instantly making you like her. You don’t like her because the story makes you do that, you cheer for her out of being tired of the two bumbling big men. There’s a cool guitar riff by Junkie XL accompanying her entry into the proceedings too.

The initial face-off between S’man and B’man is tepid. Their showdown is entertaining. Their chemistry is ill-founded and so weakly constructed that it’s somewhat laughable. I won’t give away what I’m talking about, but I’ll just call it the Martha angle. Featuring in the amusing parts of the film is Superman’s appearance in the Congressional hearing to debate the validity of his actions. A man in a cape and spandex in court is a sight to behold.

Ben Affleck’s Batman isn’t just a “dark” character, he even has hallucinations. A single film where he isn’t the only guy to root for isn’t the best way to judge him yet. The writing and performance of Lex Luthor’s part is supposed to render him despicable and incomprehensible, at least that’s the expected outcome. The actual fate of Lex Luthor is a pain in the butt. He’s an annoying pest that you just want to go away, not defeated by a superhero.

Man of Steel was an origins story for Dawn of Justice, and the viewers went back to their homes with some hope for the impending payoff. Now, Dawn of Justice is another lackadaisically lusterless origins story for another film. the smoothie here is the entry of Wonder Woman and the promise of a better film when Justice League unites. How long do I have to shell out money for a meal and get shortchanged only for a smoothie? How long do I have to put money into this sequel vending machine to get a film that is actually worth the buck?

My rating: ** (2 out of 5)

Now You See Me

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Now You See Me
Release date: May 31, 2013
Directed by: Louis Leterrier
Cast: Jesse Eisenberg, Mark Ruffalo, Mélanie Laurent, Isla Fisher, Woody Harrelson, Dave Franco, Michael Caine, Morgan Freeman, Common, David Warshofsky

Now You See Me, Now You Don’t. This line had to fit somewhere. (I missed the start, so I give them the benefit of doubt.)
Forget that you ever read those two lines.

The summer film is a semi-thriller-cum-whodunit with the exception of the actual murder. A group of four performers: Daniel Atlas (Jesse Eisenberg), Henley Reeves (Isla Fisher), Jack Wilder (Dave Franco) and Merritt McKinney (Woody Harrelson) are assembled by an anonymous benefactor, claiming to be a member of the mystical lineage of The Eye. They find a rich sponsor in the form of insurance magnate Arthur Tressler (Michael Caine) who pits them as the next big thing in the world of magic.

After they manage to perform a heist on camera, also going against the conventions of the trade. FBI agent Dylan Rhodes (Mark Ruffalo) is assigned to be the lead investigator along with Interpol Agent Alma Vargas (Mélanie Laurent) on the whole magic fiasco. Agent Vargas is intrigued by the history aspect of their tricks and does her research 24 x 7. Literally. Thaddeus Bradley (Morgan Freeman) is a retired magician who makes money by exposing other magicians’ tricks on his TV show. Rhodes and Bradley try tracing the self proclaimed Four Horsemen’s steps.

The characters that are on the run aren’t given much footage, neither their reasons are well-established, except for a few confessions about not knowing what could happen next. The major focus is on the interpretation of their techniques by the people trying to nail them down. Jesse Eisenberg  does his usual fast-talking shtick which very much fits in with the arrogant air around his persona. Isla Fisher plays up the eye-candy quotient with spunk. The tricks and script devices are pretty slick and you are gripped until the intermission.

Mark Ruffalo is tenacious on the job, while Mélanie Laurent has the French accent and all the um, Omelette Du Fromage wonder to her character. The climax is laced with hiccups, it leaves with some questions unanswered and the rest overtly answered. Safe to say, the film disintegrates after the halfway mark. But the disintegration isn’t particularly jarring. The film leaves you half an ounce smarter about a few more magic tricks too!

My review: *** (3 stars out of 5)

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