Posts Tagged ‘ Illuminati Films ’

Go Goa Gone

Go-Goa-Gone-Poster
Go Goa Gone
Release date: May 10, 2013
Directed by: Raj Nidimoru and Krishna D.K.
Cast: Anand Tiwari, Vir Das, Kunal Khemu, Puja Gupta, Saif Ali Khan

Ever since the initial trailer, Go Goa Gone aimed at being India’s first ever “zomcom”; bewildering for many, but nonetheless amusing on paper and in the rushes too.

Three friends who liberally consume marijuana and alcohol, at least two of them do so even at the workplace that they share. The two being Luv (Vir Das) and Hardik (Kunal Khemu) and Bunny (Anand Tiwari) being the hardworking misfit who’s pretty high only on preparing pretty presentations.

As things fall into place the trio is on their way to Goa. None of this happens in the way I’ve typed out until here. Once there, Luv is acquainted with Luna (Puja Gupta) in a hilarious fashion. Hilarious is the underlying adjective in every paragraph here, the film remains endlessly laughs-inducing.

The introduction of the zombies makes you cringe for a while, fearing the generic shifting of gears into a sad usual horror film. But they aren’t ghosts! And this film isn’t sad! There are so many lines that are simply great, with the peppering of SMS slang and the bashing of stereotypes.

I’d point out individual scenes and piece of dialogue that stood out, but I’ll just ask you to keep an eye out for the condom purchasing scene and the line where one of the character asks aloud, “Who do Russians worship?” only to get an insipid “Stalin?” in response.

The individual performances justly add to the overall goodness of the screenplay. The camaraderie among the male leads looks enjoyable and not forced. There’s a very subtle social message that runs through right till the end. If anyone tells you its about showing Goa in a bad light, extend your virtual killstreak by bringing them under the headcount.

Also, I appeal for a special award be dished out to Saif Ali Khan for attempting to put up a phony Russian accent and converting his famous arm-tattoo to something in Russian, as method as an actor can get! The visuals can’t get any better without Dan Macarthur’s flashy camerawork.

To add to the infinite praises for Sachin-Jigar’s music score, I’ll unabashedly just state the obvious; the tracks are a bonus feature on the entire film. Go Goa Gone is undoubtedly one of the most entertaining films that you’ll see this year.

My rating: **** (4 out of 5 stars)

Race 2

Race 2 is awful.
Race 2
Release date: January 25, 2012
Directed by: Abbas-Mustan
Cast: Saif Ali Khan, John Abraham, Deepika Padukone, Jacqueline Fernandez, Anil Kapoor, Ameesha Patel

While the filmmakers unite for more creative power and liberalization against the tyrannical censor boards and innumerable religious/ethnic groups, Race 2 comes as a breath of fresh, sorry, stale air. Race 2 should have been bludgeoned by the censor board for its bordering obscene (and cliche) lines and by the other social watchdogs to prevent the masses from being subjected to continuous nonsensical  exhibition of in-your-face trash.

Rather than specifying the non-existent ‘plot’ and the other painful details I’ll just tell you why Race 2 should be abhorred and detested as a piece of cinema, writing, acting, skill or any goddamn thing.

Race 2 sucks at all levels because:

  • A sharpshooter has a sniper rifle and he doesn’t shoot his target (Bipasha Basu) instead he shoots a bullet on the petrol tank lid. Lamborghini explosion, you see?
  • Saif Ali Khan’s character Ranveer Singh has blonde highlights and long hair in his entry scene and one song, while he continues to have completely black hair gelled back for the rest of the film.
  • Everyone looks like a million bucks. That’s not a bad thing, given that million bucks is the actual budget of each character’s costumes and appearance.
  • The usual complaint of “women being reduced to objects” doesn’t stand true, because every actor is objectified and specifically ordered to not act.
  • Anil Kapoor’s character Robert D’Costa answers Ameesha Patel’s “Tum ladki mein sabse pehle kya dekhti ho?” with a “Wo depened karta hai ladki aa rahi hai ya ja rahi hai.” Lifted. Boring. Stupid. Ancient.
  • The ladies have been asked to maximize on their assets. That means, each woman has her own USP body part. For example, Deepika Padukone’s legs in dresses with long cuts, Jacqueline Fernandez’s abs and butt and Ameesha’s breasts. Not that I am complaining, but after a point even that gets monotonous.
  • The dialogue is as predictable as a, I’m falling short of comparisons here. It’s hauntingly reminding of the 80’s vague lines. With bits of English peppered, it still remains drab and seriously underwhelming.
  • A ‘street fighter’ Armaan Malik (John Abraham) becomes a billionaire out of nowhere. BILLIONS FROM NOWHERE. And his step-sister – what would a Race film be without foster siblings who double-cross each other – Elena (Deepika Padukone) claims she’s helped him get those billions.
  • The twists are just like a children’s fantasy game, where everyone gains an upperhand continuously by claiming their weapon is more powerful. There’ an Audi with parachutes installed in it, more parachutes, CCTV footage, and at the end, ‘tere glaas mein zeher (poison) mila tha’.
  • And to top it all, last but not the least, a locker’s password at the St. Turin’s Church is ‘OBEYGOD’. Obey God. Are the nuns allowed to have a Facebook account?

But credit must be given where it’s due. Race 2 brilliantly carries forward the legacy of Race 1 with its incredibly stupendous amount of belief in the directors’ conviction to deliver a preposterous lump of shit. Race 2 also joins an elite class of worst films of all times.

My rating: * (1 out of 5)

Cocktail


Cocktail
Release date: July 13, 2012
Directed by: Homi Adajania
Cast: Deepika Padukone, Diana Penty, Saif Ali Khan, Boman Irani, Dimple Kapadia

The film is set in London, and we do get the stereotypical wide shots of the city that help us to know, nothing. Sorry. But the long shots and extensive coverage of the picturesque landscapes and swish streets get a tad too imposing. Yes, they so first-world and we so third-world.

For the plot: Meera (Diana Penty) is our grief-struck damsel stuck in a foreign land with nowhere to go. Veronica (Deepika Padukone) lives alone in an expensive row house with endless nights of partying and more partying. She’s a photographer by profession, but all her demands are met by her invisible parents. Gautam (Saif Ali Khan) is approaching his thirties with no stable relationship around him. He likes to get laid, easily. Meera and Veronica are poles apart, in every parameter that counts. Yet, Veronica befriends Meera and tries getting her into the party loop.

And mind you, Veronica always gets by the bouncers at the local nightclub & all the patrons know her! Yay! Alright, that is a bit cliche. She dances her ass off while everyone cheers for her and two party numbers go by. Gautam, who had tried his ‘charm’ over Meera right at their first incidental meeting now gets served by Veronica and soon they are an item. They even share a toothbrush. How cute. Boman Irani plays Randhir, Gautam’s uncle and calls himself his guardian when his sister Kavita (Dimple Kapadia) calls him to coax Gautam to get married.

Soon things start mixing up when Kavita shows up at Veronica’s house where Gautam is swaying wildly to Sheela Ki Jawaani and is heavily cross-dressed. Meera pretends that she is Gautam’s fiance and Kavita takes an instant liking to her coy and sweet future daughter-in-law. They go on a vacation and hormones start to run haywire. Gautam and Meera get close and realize that they are in love. Meera tries to suppress her feelings and Veronica also realizes her feelings for Gautam. Love triangle commences.

The three protagonists go through longing and a throbbing pain in the absence of their crossed-up lovers. Veronica ends up on a self-destructive path, while Meera tries running away and Gautam is stuck between the two. The film’s first ‘artistic’ or emoting sequence shows up in the form of a lash-out by Veronica at Meera in an inebriated state. The second half of the film tries making more sense than the first, actually making some sense.

Things get completely sorted out over the course of two sad songs playing in the background. Disappointing. But the overall product doesn’t bear a stale stench, thus keeping it fresh and somewhat touching. We’ve seen better romcoms & we’ll see more (hopefully) but this one isn’t too bad either.

Cocktail proves to be entertaining and enjoyable while it lasts. You won’t regret going to this movie even if you aren’t a mushy romantic film-buff.

My rating: **1/2 (2.5 out of 5)

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