PK

pk-posterPK
Release date: December 19, 2014
Directed by: Rajkumar Hirani
Cast: Anushka Sharma, Sushant Singh Rajput, Aamir Khan, Sanjay Dutt, Saurabh Shukla, Boman Irani, Parikshit Sahni

In the December of 2009, 3 Idiots, the “highest grossing entertainer” of all times released with the same protagonist and the same director at its helm. I would reserve my observations about that film, but the similarities keep soaring in my mind. Of course, the glaring disconnect between the two is the lack of any attention to the supporting characters in PK.

Hirani along with Abhijat Joshi creates his title character as an outsider (Aamir Khan) to India’s belief systems. The outsider doesn’t know how the societies work, what’s acceptable and what’s not. He loses his way out of here and relies on the innumerable human gods for hope and answers because he has no friends and no relatives. Jagat Janani (Anushka Sharma) chances upon PK and decides to help him through her news channel.

The news channel head (Boman Irani) indulges PK with his questions about birth control, and is thoroughly impressed by his “amazing questions”. Groan. Once the film goes down the path of using a TV show as a confrontation between its only self-admitted antagonist–Tapasvi Maharaj (Saurabh Shukla) and the ever inquisitive PK, it all goes downhill.

The dichotomies and differences between the religions present hearty laughs and play out as a continuous gag; turning potentially sensitive situations into perfectly innocuous moments of lovable relativity. The writers go to originality in spurts and come up with a few new devices that turn conventional scenarios around. Unfortunately, these spurts of originality cease at being used to rake up humor and nothing beyond that.

The post-interval part is reluctant at going for an emotional depth and eventually turns out to be manipulative and shallow; where a bomb goes off and there’s no gravitas attached to the scene. It’s just something that you’re supposed to care about, but the characters on the screen underplay it and thus the film chickens out of attaching any strong subtext.

The prolonged climax of the film is insufferable to say the least. It descends into a full blown TV debate between the two aforementioned characters and the interviewees completely hijack the show and the anchor and the producer have absolutely no control over it. Yes, it’s a film and they get cinematic liberties. But I wouldn’t be pointing this out if it was the only thing that was far-fetched. What follows that and ends in a telephonic conversation with Sarfaraz (Sushant Singh Rajput) in Pakistan is outrageously ludicrous.

It’s an all Aamir Khan show here. He shoulders the entire film, not because the other actors are doing a bad job, rather they don’t get to do much. Everyone’s made out to be a sidekick to this Bhojpuri-mouthing great ashternaut (sic) His chaste Bhojpuri makes him endearing and affable, instead of thriving on the usual poor representation of the language in self-righteous Hindi films.

PK is just about a kindhearted blockbuster in its approach, which makes it ironically un-kindhearted and seem more like an insincere crossover between Hrithik Roshan’s Koi Mil Gaya and Paresh Rawal starrer OMG-Oh My God!

My rating: **1/2 (2.5 out of 5)

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