Jab Tak Hai Jaan


Jab Tak Hai Jaan
Release date: November 13, 2012
Directed by: Yash Chopra
Cast: Shahrukh Khan, Katrina Kaif, Anushka Sharma

Placed in the midst of ginormous expectations and sour comments over the initial release of its videos, Jab Tak Hai Jaan had a lot of roadblocks as challenges in its way, even before hitting the screens. Did it live up to the expectations? Sure, read on!

Set in London around 10 years ago, Samar Anand (Shahrukh Khan) is a youngster who’s looking for a job to break his family tradition of being an officer in the army because his mother doesn’t want any more military deaths in her family. Or so he says. He does odd jobs and tries to earn as much as he can. And while doing one such cleaning job, he comes across Meera Thapad (Katrina Kaif) heading into a church. She’s got her own way with God where she asks for things and gives up a thing in return to please him.

After a song and a rare smoking sequence featuring our lead actress in her engagement dress, Meera and Samar have their first real conversation. Along the way they pull off the brilliantly captured dance sequence preceding Ishq Shava and the scenery around it. Katrina dances with much oomph and you are pretty much shocked. This is where the protagonists’  feelings get convoluted and the much obscure hurdles now start surfacing. There are no tyrannical fathers and uncles, but there are spiritual (?) issues.

Akira (Anushka Sharma) is a peppy, self-proclaimed ‘heartless bitch’ who bears a stark contrast to Samar and Meera’s approach to love and relationships. She’s not scared of jumping out of relationships and doesn’t care about anything beyond sex.  And she isn’t scared of jumping into ice-cold water for a dare too! Uh, okay. Akira is acquainted with a much calm and serious layer of Samar’s personality as now he defuses bombs without protective gear. But he has his reasons for that. She’s intrigued about him and decides to share this story of a fearless man who’s diffused 98 bombs so far.

What you see in this plot isn’t hunky-dory bubblegum material crap, you get to watch people in their actual habitats: cussing, enjoying, kissing and sharing private humor. Which is where the strength of the film lies, the women aren’t insecure about their man’s choices, and independent in their own element. Meera is grounded yet confident about her decisions, Akira flirts to the extent of picking up Samar to make him get into his element. Yes, there’s the part where Samar calls Akira by ‘Kurosawa’.

Anil Mehta’s cinematography is brilliant and so artistically pleasing that sometimes, you forget there’s also a floundering story playing on the same screen. More than the music, the instrumental theme of JTHJ is more catchy and melodious. Even Challa isn’t a video capturing London’s scenery, it serves a purpose and yes, Shahrukh strums the guitar when the guitar’s playing in the back, unlike the cutsized promos. Saans shows you immaculate chemistry between the characters and I’ve already praised the entire Ishq Shava sequence. There’s light witty comedy as well, but it’s only subtle.

Yash Chopra shows how he’s evolved since his last film Veer-Zaara, he doesn’t hold back from letting his characters cuss like youngsters usually do and making them unpretentious and more real. There is no dancing around trees in chiffon sarees for the heroines and no cringe-in-your-seat moment. Shahrukh shows the shift in his character’s evolution with charm, Katrina looks like a million bucks and retains the grace associated with quintessential Yashraj heroines. Anushka plays her chirpy and upfront brash character smoothly.

Finally, Jab Tak Hai Jaan is a love story based on the conflict between a woman’s beliefs and love, and a man’s undying passion. It’s a film laced with its own imperfections and pivotal flaws with the screenplay, although perfectly finished in many departments. Yashji’s final outing as a director is quite watchable.

My rating: ***1/2 (3.5 out of 5)

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  1. January 11th, 2013

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